5/21/20

Junkyard, Bag Head, and Zombie Bop








Bag Head stares at an empty piece of paper wrapped in the platen of his dull brown Smith Corona typewriter. He's sweating profusely because the engine of his box fan blew last night.

It's a sizzling summer day in Oneonta, Alabama, population 6357, so hot you could fry an egg on the sidewalk.

He staples an A+P bag carefully on the wall of the flophouse room. The bags are his friends like Wilson, the face Tom Hanks painted on a deflated soccer ball in the film Castaway to keep him company.

Folks in the small town of Oneonta get the willies when Bag Head walks the city sidewalks with a paper bag on his head.

He wears the bag for protection from the sun’s laser beams, shock value, and to beat boredom in the one-horse southern township.

Sure he's different, but he's no fool, his junior and senior year he was on the Locust Fork High School yearbook staff.

If the bagman was Black, the sheriff would have had him locked up in the Tuscaloosa Mental Facility years ago.

It’s July 1986 in Key West, and like Oneonta, it’s hot as hell.

The tribe, Henry, Lucia, and Summer Wynd don’t have a screw loose like Bag Head, but they’re juicers to boot.

The girls behaved like flappers from the Roaring 20s, rebellious youth with libertine mores.

F. Scott Fitzgerald was the premier diarist of the Jazz Age or the Roaring 20s. A label he occasionally found embarrassing upon sober reflection.

Fitzgerald’s book The Great Gatsby is on the growing list of Great American Novels. As well as being on high school reading lists across America and in Poland too.

F. Scott Fitzgerald could drink Charles Bukowski under the table. Scott carried a hip flask of whiskey with him like a 6 gun wherever he went. Buk drank wine and beer most the time, but, he was discreet. 

Hunter S. Thompson was the padrone of literary inebriates, elevating the art of getting loaded to a science.

Hunter’s daily routine was one endless Saturday night out— hot tubs, hookers, guns, Dunhill cigarettes, cocaine, plastic Semtex, Chivas Regal, grapefruits, LSD, more cocaine, and bloody marys. 

Towards the end of his life, Hunter was still eating acid daily, like it was vitamins, although his system had become immune to the effect.

Bag Head, on the other hand, is dark side of the moon perverse— living in a paper bag kingdom of his own design.

His latest story, Junkyard, is a far away yarn about an excursion to Jimmy’s Junkyard.

The following is an excerpt from Junkyard.


I got out of bed this morning to go to the junkyard. The Rent’s unpaid, my teeth are rotting, and there’s a loaf of Wonder bread in the cupboard turning green. The ants will eat it before I do.

Wearing a towel I walk down the hall. In the gunky bathroom, the water runs yellow from the faucet. I splash the piss-colored water on my face, arms, groin, and gargle.

After chasing rats, I go to my grubby room and dress— overalls, a Bulldogs’ T, green Doc Martens.

It’s so hot today you'd think the sun was be pissed off at the world. I hate the sun and the world, so I cut 3 holes in a fresh A + P grocery bag and put it on my head for safety reasons.

Walking Acorn Street to Ebonytown I stop in Emma's Soul Kitchen for grits with gravy and a cup of coffee. I sit at the counter and Emma says,

Bag Head, why you got dat bag on? Folks be thinkin you're crazy! I tell Miss Emma,

ma'am, the sun is firing x-rays at me, tryin to burn holes in my head. This here bag shields the rays and keeps me safe.

After grits and gravy, I walk 30 minutes on the shoulder of County Road 15 towards Jimmy's. City folks honk as they drive by, yelling — Bag Head, Bag Head.

Jimmy's sittin at a metal table in front of a wood shack in the junkyard smoking a Hav- a- Tampa. I wave and he says,

how ya doin Bag Man?

Jimmy’s Junk Yard is an acre of metal bits and bobs people have forgotten.

Warn down paths twist through the yard. It’s a museum of used to be memories.

I unlatch the bottom drawer of a rusty desk, there's a paper cigar box inside. I take the box out and open the lid, it's full of thimbles.

Jimmy takes 3 bucks for em.

I walk home to my flophouse room. Inside the hell hole, I take today's paper bag off and staple it on the wall with the others.

At my cinder block and plywood desk, I drill wee holes in the thimble tips with a hand drill and lace them with thin metal chains making necklaces.

It’s a tropical summer morning in Key West, 1987. There's a sweet breeze coming from the Atlantic Ocean.

The tribe, Henry, Lucia, and Summer Wynd, are sitting around a small table on the front porch of their bungalow.

The girls have cooked Swedish pancakes with fresh raspberrys on top, sprinkled with powdered sugar, and spritzed with fresh lemon. Summer Wynd suggests,

todays a beach day, let’s take the Chis and Pedro to Dog Beach.

Henry stays home and writes in his study. He keeps busy taping aluminum foil on the windows of his office to block out the sun and save on electric bills.

He's been corresponding with Bag Head, who's convinced him the sun's xrays kill brain cells.

The girls change after eating, putting on thong swimsuits, oversized T-shirts, straw cowboy hats, and flip flops. Both, have luscious bodies and look like Vegas showgirls.

They collect the Chis and get on the Vespa scooter and head to the beach. Pedro the woodpecker follows airborne.

It’s a 15-minute ride to Dog Beach, where they park the Vespa. They rent beach chairs and large umbrellas. As Lucia and Summer Wynd strip down to their thongs the other beachgoers gawk.

A Jamaican woman lugging a styrofoam cooler strapped on her shoulder walks the beach selling Brown Lemonade— brown sugar cane diluted with lime in shaved ice.

The girls buy 2 cups, Lucia takes a pint of Meyer's Rum from her Gucci bag and spikes the drinks

The Chis nip at one another’s heels as they run in circles in the sand.

Pedro the woodpecker eventually shows, enjoying himself mimicking seagulls as they hover and dip-fish close to shore. But, Pedro can’t swim or float, so he pulls out of the dives at the last minute.

Back at the bungalow, Henry’s in his study as Dave Spleen his editor calls. He picks up the handset or his phone and answers, Dave says,

hey babe, howzit? Your stories in HEADBANGER Magazine are unabated, you’re bringing readers to our rag regularly. The gals at the copy desk and in the advertising department call you steady Henry. He laughs and jokingly says,

you mean the girls in the office want some of this beefsteak? Dave chuckles,

I doubt it, they’re referring to writing output and readership level, not what you got between your legs, which ain't much from what I hear. Henry chuckles and mentions Bag Head,

Dave, I’ve been corresponding with a kid in Alabama whose pen name is Bag Head. He doesn’t go anywhere without a paper bag on his head. I told him to mail you a few stories, you'll get them any day. Bag Head's work is desolate and oddly engaging. Dave says in a rush,

I’m open to new talent, gotta go, gotta deadline to meet.

At 2 in the afternoon, the girls are still at Dog Beach with the Chis and Pedro the woodpecker, sucking down rum mixed with sugar cane juice and showing off their bodies.

Henry's bored stupid at home, craving a dark cave-like atmosphere where he can drink and look at naked women.

Cranking up his 73 Malibu wagon, he drives north on Highway 1 out of the Key West, puffing grass as he passes over the long sea bridge to the next island, Boca Chica Key. 

He rolls down the driver's side window, breathing in the saline breeze coming inland from Jewfish Bay.

Looking seawards at the Atlantic Ocean he listens to Wagner’s Faust on the radio and mulls over his existence, cottoning— life’s an extravaganza, it's your choice. As  Lao Tzu said in 400 BC,

Be content with what you have— rejoice in the way things are. When you realize there is nothing lacking, the whole world belongs to you.

Lao Tzu's poetic musings were ahead of their time, 2400 years ahead.

As Henry reaches Boca Chica Key, he drives the back roads of The Naval Air Station. Knowing, where there are sailors, there's a strip joint.

He pulls into a lot and parks in front of a club. It's a single level, black cinder block building called Zombie Bop.

Getting out of his Malibu wagon, he walks to the front door, a biker wearing Outlaw colors says,

20 buck cover!

Inside, it’s dark and cave-like, tits and ass are coming at you from every angle. It was what he was looking for.

Vixens are working 3 poles, all of them at different stages of striping. A female DJ  spins American thrash metal riffs, the big 4 of the genre—Anthrax, Megadeth, Metallica, and Slayer.

He orders a beer, sitting alone at a table. A buxom younger woman who's Goth with— black hair, white skin, black nail polish, in a sequined black bikini sits with him asking,

what’s your name sweety? I’m Crystal, I need a drink! He says,

OK, I’m Henry,

she orders a Vodka Spinner, but it looks like cranberry juice.

The lady DJ does a 100-degree turn, spinning old school Reggae— Toots and the Maytals, Sly and Robbie, King Tubby, and Wailing Sounds.

The strippers move snake-like and sinuously on their poles to the Jamaican sound.

Crystal bends towards Henry at the table, putting her hand on his thigh and asking,

How bout a lap dance doll? 100 dollars, I’ll squeeze the paste outta your tube!

It was hard to resist the moment. Rationally, it was unjustified to spend 100 dollars to get off half-ass when you had 2 gorgeous women at home who would do anything you asked.

Sexually, a lap dance had an added dimension— a nasty and sinful quality which tantalized and pulled at you, all though you might feel lowdown when you finished.

Henry says OK and gives Crystal a 100 dollar bill. She takes him to an isolated area of  Zombie Bop.

Crystal gets on his lap as he sits down, facing him and taking off her top. Her chest wobbles as she slides back and forth rubbing his crotch with her groin sensually.

His zobb is poking out above the waistline of his shorts pants, she chuckles but wants him to finish.

Finally, he let's go, Cyrstal grabs a tissue, wiping her face and chest, then walking to the lady's room.

She comes back and sits with Henry who's at the bar, he says to her,

I'll come back to see you soon, I loved it, you're very special Crystal.

This empty chatter was fill in the blanks talk.

She nods her head as he speaks, she was hungry though, wanting him to leave so she could order take out from KFC.

The half-ass sex was no religious experience.

After leaving Zombie Bop, driving south on Highway 1 to Key West, Henry feels culpable, dumb, and remorseful for going there.

Was he affected by the quilt which accompanied sin? Did he feel sinful?

Yes, he felt delightfully sinful, at the same time, being an atheist freed him from guilt feelings.

For Henry, choosing to be an atheist was like flying 1st class on Virgin Airlines instead of taking a school bus.
  

5/13/20

Government is a Centralist Skinner Box






A mysterious author has been spotted at cafes around town with a paper bag on his head. Wafer-thin incisions are cut in the paper bag where his eyes are because he doesn’t want to see too much of the world. 

Bag Head as he's called stares at an empty page primed to get started on a new story. Full of sadness, he’s taken aback, realizing people aren't reading his work. He Feels somewhere between, getting the wrong end of the stick, is my writing flawed? Should I change my storyline? Or, does wearing a bag on my head put people off?

Henry’s life priorities went like this—

having enough money to live,

health,

people reading his work,

writing.

The remainder of his life priorities were in flux, akin to a crapshoot— eating well, codeine, jazz, blues, dreams, joy, sorrow, women, laughter, staying out of jail, hospitals, asylums, no haircuts, humanity, dogs, birds, ganja, sea, trees, clean air, fresh water, and sunlight. 

Writing is like playing a musical instrument or painting a picture, writing is fundamental, it's junk.

A bonafide writer works if he is, drunk, hungover, sober, happy, or sad. 

The year is 1986 and it's close to noon. The tribe, Henry, Lucia, and Summer Wynd, are at Puerto Vallarta International Airport.

They’re sitting on Spartan hard plastic chairs in the departure area waiting for Northwest Airlines flight 257 to Key West International Airport, it’s a 3-hour flight.

Summer Wynd has 7 grams of Michoacán pot wrapped in tied condoms inside her vagina.  

She’s playing dope smuggler for kicks, knowing she'll enjoy the rush of going through Florida customs with dope in her twat. 

Getting caught with 7 grams of pot in Florida is a misdemeanor, the court system can’t prosecute all the cases. 

Pot being illegal on the federal level is silly. Marijuana is an unprocessed natural herb like oregano or anise. People have been smoking it for years, long before the 60s.

Thomas Jefferson drafted the Declaration of Independence on hemp paper, grew and smoked marijuana saying, 

hemp is of first necessity to the wealth and protection of the country.  

After 1776, around the time of prohibition, the Department of Justice and the US Federal Government became unglued, restructuring the government branches in the centralist tradition, hellbent on controlling citizens' lives and encouraging conformity.

You can bet the ranch J. Edgar Hoover, the FBI mufti, had a Kosher salami up his patootie and liked it. On odd nights in his Georgetown chalet, Edgar would dress up as Mary Todd Lincoln, standing on a chair, reciting the Gettysburg Address by rote, delighting his lover Clyde Tolson.

Cannabis was outlawed federally for any use, including medical, with the passage of the 1970 Controlled Substance Act— CSA.   

Richard Nixon was president in 1970. 

As Nixon signed the CSA bill in the Oval Office, a bill that would put a shit load of ordinary Americans in jail for possession of a single joint— he smiled broadly, his signature full toothed beaver smile with jowls full of wood chips. Dick was flying high after the signing, so he walked outside to the White House lawn and chomped on a log.

Hunter S. Thompson went head-on with the system from the ages of 13 to 67. He hated Nixon more than any American president saying,

It is Nixon himself who represents that dark, venal, and incurably violent side of the American character that almost every country in the world has learned to fear and despise. Our Barbie-doll president, with his Barbie-doll wife and his boxful of Barbie-doll children, is also America's answer to the monstrous Mr. Hyde. He speaks for the Werewolf in us; the bully, the predatory shyster who turns into something unspeakable, full of claws and bleeding string-warts on nights when the moon comes too close...

The Thompson versus Nixon fizz was a woeful antibiosis but it spawned Gonzo journalism. Hunter owed Nixon a debt of gratitude.

Henry's Libertarian, Lucia who lived in Cuba most of her life is a Socialist, Summer Wynd didn't care, and Hunter S. Thompson was a Gonzo Socialist. 

Libertarianism is a scream for freedom by ordinary people rooted in fear and ill will towards the garrison whose job it is to corral them.

Government contrives to control individuals, who should have the right to exercise sole command over their own lives, and live whatever way they please, so long as they don’t forcibly interfere with the equal right of others. 

We are living in a skinner box manipulated by social media, media, and government. If you produce you will be rewarded with assets equivalent to the level and skill of your production.

Outcasts who mutiny because they don't want to produce, don’t care or are mentally ill, end up living on the street or in their Mothers basements.

William Burroughs put it this way,

Citizens are like bulls in the ring charging the cloth. That is what government is for, to teach you the cloth. Just as the bullfighter teaches the bull, teaching him to follow and obey the cloth.

It’s boarding time at Puerto Vallarta International Airpot. Henry, Lucia, and Summer Wynd wait until the other passengers board, then walk through the airbridge to the stern of the jet, sitting next to one another in the last row of seats and buckling up. 

The 737 taxis to the runway, the pilot, who's half in the bag, pushes the throttle forward with gusto, imagining he's in a drag race. 

With the power of a dragster, the jet speeds down the runway, hitting speed bumps that cause the plane to clatter. Then, lifting with aerial grace into the clouds. Summer Wynd is petrified, holding Lucia’s hand throughout the take-off and saying,
  
thank God some part of the plane didn’t fall off. Jets are held together by tiny rivets no bigger than screws, rubber, and glue. Luckily, we’re sitting in the last row, I read in The Village Voice or Popular Mechanics, one, that the last row is safest. Henry and Lucia roar with laughter, and he says, 

I’ll tell you this, if the plane goes down, as the passengers are doing their Mia Culpas, I’ll go to the galley and down as many miniatures as I can and then lift up the stewy’s dress and cop a feel. Lucia can’t believe what she’s hearing, saying to him,

for a gringo writer, you say the dumbest shit! Do you have an intelligent switch you turn on when you write and turn off when you’re with us?

Drinks are served, The threesome orders 6 miniature bottles of tequila, paying through the nose because they’re in coach. 

By 4 PM the plane lands at Key West International Airport. The tribe deplanes last. 

At customs, a dope sniffing dog whose name is Sleuth hustles to Summer Wynd, putting his nose up to her crotch, barking once. She says to Sleuth's handler,

oh, nasty boy, he likes the smell of my bloody Tampax, isn't that cute?

The customs agents, all men, don't want to be bothered with it and let her pass.

Outside the airport at a payphone, she calls Gay Johnson, who she had taught dance with at The Martha Graham Dance Studio in Key West asking,

darling, can you pick us up at the airport? Gay's queer, Black and a dancer, he answers pleasantly,

of course dear, where'd ya go? By the way, your job is waiting for you if you want it? She answers,

I contracted for a month with the New York City Ballet to dance Candide. I’d love to teach again, Gay answers, 

that’s marvelous darling, see you in a jiff, love you!

The tribe waits on the sidewalk of the departure area, Gay Johnson shows 20 minutes later driving a powder blue Volvo wagon. The car is on the list of the top 10 automobiles driven by gays and lesbians. You have to wonder, who put the list together and why?

Is there a need in the world to compile The Guinness World Book of Records and Ripley’s Believe it or Not?  

Maybe, there's a bit of idiot savant in all of us, and of course, the freak show sells.

In minutes Gay drops the tribe off at their bungalow on Cypress Ave, fortunately, it’s still there, Summer Wynd tells her friend, 

Thank you, Gay, let’s get together for dinner soon, bring your partner!

Lucia lifts the straw mat at the door on the porch of the bungalow, where the house key is hidden. A dumb place to hide a key and the first spot a burglar would look.

Inside the living room, all 3 of them say, practically in unison, 

it’s good to be home.  

They bring their bags inside and throw them on the bed. Henry grabs his car keys off a rack in the kitchen, goes outside, and gets into his 73 Chevy Malibu wagon, putting the ignition key into the lock switch, hoping it'll start. 

The engine stalls, but the battery has plenty of juice. He gets out of the car and goes to the garage, grabbing a can of a starting fluid from an old wooden shelf. The shit is called JET FUEL, a favorite inebriate of Bowery bums.

Outside, he lifts the Chevy’s hood, taking off the18 inch air filter and spritzing some JET FUEL in, then replacing the filter and closing the hood. 

Inside the wagon, he turns the lock switch to start and pushes the gas pedal down slightly, the engine roars.

As the engine idles, he yells out the driver's side window to the girls who are in the house,

come on let’s pick up the babies at The Pet Resort!

The tribe piles into the 73 Malibu wagon, it takes 15 minutes to reach The Pet Resort. Henry parks in the front, they feel a rush of excitement as they get out of the car.

At the front desk, Summer Wynd asks, 

we’re here to pick up our Chihuahuas, Che and Mia, and Pedro the woodpecker, how are they? The attendant, a lady wearing an apron that reads, 
                          
                             THE PET RESORT
                   BABY CARE FOR YOUR PETS!

Says,

Your babies are fine, the Chis swam in the pool every day, and, occasionally, Pedro flew the coop. We figured he needed to peck on trees, but he always came back, he’s attached to the Chis.

Che and Mia run from the back of The Pet Resort at rapid speed, quivering, full of joy as they see Henry, Lucia, and Summer Wynd. Then, Pedro, the woodpecker flies to Lucia, landing on her shoulder and stroking her hair with his beak, as if he was grooming her or searching for bugs to eat. 

Henry pays the balance due, a hefty sum, and they all get into the Malibu wagon, Pedro’s still perched on Lucia’s shoulder. 

Back at the bungalow in the kitchen, Lucia cooks chicken with rice for the Chis and places a bowl of shelled sunflower seeds and fruit on a tabletop for Pedro the woodpecker who has already flown the coop.

Henry decides to order Chinese food from Flower Drum Cantonese in downtown Key West. The tribe will eat as they watch cable TV. 

He dials Flower Drum Cantonese, an older Chinese man answers saying,

Wu here, can I help you? Henry goes on,

Wu, let me see? How about some fried rice, orange duck, egg rolls, wonton soup, and sweet and sour pork? 

Everyone is relaxing in the living room and they're on their second pitcher of mojitos, the doorbell rings, Summer Wynd yells,

come in the doors open!

It’s Charlie Wu, 1 of 2 brothers who run Flower Drum Cantonese. He hands the warm bags of Chinese food to Lucia who places them on a wooden cable spool that serves as a coffee table. Wu says, 

I’m Wu from Flower Drum Cantonese, thank you, enjoy dinner. Henry answers, 

How bout a drink Wu? How much do we owe ya? Wu answers, 

$33.95, Wu works, no fun time, our family work every minute day and night. Henry chuckles saying,

we foreign devils play all day, then we drink and screw all night. Wu chuckles saying, 

you happy hippies! 

Henry pays him and Wu heads back to the plantation.

The tribe eats like New Yorkers, with chopsticks out of takeaway oyster pails. 

Lucia turns on the TV, HBO’s showing the film 1984, based on George Orwell's novel, which he insisted wasn’t futuristic, but, was about the time he wrote it— England’s desolate years after WW2 when Brits were hungry and food was still being rationed. 

When Orwell wrote 1984 in 1948, he had a hideous vision, thinking— as Hitlerism decayed into the ashes of WW2, Stalinism and capitalism would become one in a world of centralism, consequently, the planet would become a vast dystopian society where conformity was ordained with media brainwash and the heavy hand of the garrison. 

The backdrop of 1984 is a black bomb shredded city like Berlin after WW2,  rooms coated with grey slim, furnished with broken down spring beds without mattresses.

Big Brother wears a fascist tunic as he reads the state's vision from a censored script, phony news about a phony war transmitted to tubed TVs throughout Oceania. 

The state spies on the industrial working class, who are required to watch the only TV station, through hidden cameras in the Prole's rooms as Big Brother TV transmits signal. 

1984 opens as Winston Smith, played by John Hurt, who's stick-thin, looking soiled and pale as though he will drop dead any minute, is working in a box-like cubicle rewriting history to fit the party line for the Ministry of Truth.

One day as Winston treks through the idyllic countryside he meets a fellow member of the impotent and artificial middle class or Proles, a vixen named Julia and of course, they fall in love.

Winston rents a room over a pawn shop which is unique because there’s no surveillance. During their free time, the couple has sex and discusses taboo subjects which are banned by Big Brother, topics such as love, freedom, abstract art, and jazz.

The Prole lover's surreptitious affair comes to an abrupt end one night when their room is raided by the Thought Police and they are arrested. 

Winston is sent to the Ministry of Love, where he’s brainwashed to think right by O’Brien, played by Richard Burton, who looks awful in the film, dying in real life a few months later. 

Winston’s psychological resistance to O'Brien's brainwashing earns him a stay in room 101. Where nonconformists must fall in with the party line or be forced to confront the thing they fear the most— for Winston it's rats! 

He's locked up in a room full of wild rats and the torture does the trick. He becomes single-minded, adhering to the party line.  No longer double thinking he goes back to work at the Ministry of Truth. Lucia asks Henry, 

what kind of film is this? I lived in Cuba all my life, gringos think it's a totalitarian state, but, we're free to fuck, drink, and dance, we just keep our mouths shut about Fidel. Henry explains 1984 to her.

It’s a film from the head of a writer who was on the edge because he fears the dominion of world governments over their citizens. As a Libertarian, I agree with Orwell. Summer Wynd not buying it says, 

cut the bullshit Henry, you’re a hedonist who hasn’t filed taxes in 10 years. Do you think claiming to be a Libertarian justifies being a tax dodger?