Pinky and I found another condo in Pattaya by the Sea worse than the other one— priced at a whopping 47 dollars a month.
There’s a sliding glass door we keep open and a small arched terrace that opens onto a field of young Eucalyptus trees emitting a scent like burning incense.
I have nicknamed the room, the Birds Nest because we’re surrounded by stuff and feel cozy as chicks in a nest.
Our old condo is ten blocks down the road, seaward, so Pinky bought an electric scooter for 85 dollars, a fragile thing I’d be afraid to get on, but she claims it’ll hold me.
We have more than a few suitcases to haul so she uses the fly-weight scooter, moving things bit by bit like an ant carrying broken grains of rice.
The days at Pattaya by the Sea go by slowly, and I catch myself looking at the clock twenty times an hour— This town's all about the sea and rental pussy, neither does much for me.
For starters, I hate the sun, which like fire, will burn you if you let it, and nothing is more bogus than paying for sex with someone who’s not into it, saying every few seconds,
are you finished yet?
Then finally,
my friend’s waiting with her motorbike downstairs.
Pinky’s inventive, she uses rank milk mixed with water for facials, picks leaves from bushes to flavor soup, does our laundry by hand, and makes aloe vera sandwiches with sprouts, tomatoes, and mayo. She grew up on a cocoa farm in Northern Thailand spending her days roaming the forest looking for edible insects and fossils.
Last night I watched her on the terrace of our third-rate condo as she stood facing the Eucalyptus trees looking like a jungle witch in a trance, reaching out, connecting with something as the trees swayed in the nighttime wind.
Writing isn’t coming easy, it’s taken me a week to write three pages, but I’m going to finish this bit today.
My last story, I’d Do Anything For a 4F was a flop. It’s a good story, but, the last paragraph recounting a fuck with a Black woman on a storeroom counter likely alienated some.
A favorite Twitter friend, @FerialPoetry, said the sex bit made her blush.
As a card-carrying atheist, I don’t follow Christians on Twitter. Being a Christian is the easy way out, that’s why so many guys in the joint convert.
Take David Berkowitz, alias the Son of Sam, who shot four innocent New Yorkers in the seventies and is presently serving four life terms at Shawangunk Correctional Facility in upper state New York.
Berkowitz is a Jew who’s accepted Christ, so he’s forgiven of his sins and given a ticket on the A Train to Heaven when he dies.
Absolved of his sins, David will have peace of mind, but in truth, he'll never go to Heaven because Heaven is nowhere to be found.
And, if there’s no Heaven there’s no Hell, a perk for us all.
Life without God and church opens a world of possibilities as it frees you from guilt— spawning good feelings inside.
There’s a marvelous scene in the film The Night of the Iguana, adapted from the play by Tennessee Williams, where The Reverend T. Lawrence Shannon, played by Richard Burton, is delivering an atheist sermon in front of a group of hostile parishioners.
Appropriately enough the sermon is about the weakness of man and calls for forgiveness for those who go off the straight and narrow.
Shannon quotes a passage from Proverbs that seems to describe his own shortcomings—
He that hath no rule over his own spirit is like a city that is broken down, and without walls.
Finally, the disapproval of his parishioners proves too much for Shannon and he breaks down, shouting angrily at the congregation as they hastily leave in the rain. Meanwhile, Shannon rants against their narrow interpretation of religion—
I will not and cannot continue to conduct services in praise and worship of this angry, petulant old man in whom you believe. You’ve turned your backs on the God of love and compassion and invented for yourself this cruel, senile delinquent who blames the world and all that he created for his own faults.
Tennessee Williams lived a Godless life, he was a party animal— addicted to booze, Seconal, and sex. In later years as his addictions began eclipsing him, he was baptized a number of times by a Catholic bishop, hoping it would bring goodness back into his life, unfortunately, the baptismal voodoo didn’t work and he died of an overdose soon after.
However, he choose to live he was the greatest playwright in history, he brought ranchy soul to broadway, thank God.
I just deleted a few paragraphs on the dark side of Mother Teresa— as a product of Catholic school, I couldn’t bring myself to talk shit about the sister— fearing she might come back from the dead and rap me on the knuckles with a ruler.
Anyone who went to Catholic grade school in the sixties remembers being smacked around by nuns.
The offenses that brought down the wrath of the sisters included talking back—which was my specialty—swearing, fighting, fooling around in church, throwing snowballs at girls, and so on.
There was a nerve-racking randomness to the way punishment was measured out. A wisecrack might bring a dirty look one day and a slap the next.
If there was an upside to the nuns' use of corporal punishment it was the spirit of camaraderie it fostered among us . It was us against them, all the way. We were united in our defiance of the nuns' authority—and the church's, for that matter.
We are near the end so I’m going to conclude with a bit on Ken Kesey, the author of One Flew Over the Cuckoo’s Nest, which affects all writers.
The following is from a 1994 interview in the Paris Review.
INTERVIEWER
Your only formal studies in fiction were as a fellow in Wallace Stegner’s writing program at Stanford. What did you learn from Stegner and also from Malcolm Cowley?
KEN KESEY
The greatest thing Cowley taught me was to respect other writers’ feelings. If writing is going to have any effect on people morally, it ought to affect the writer morally. It is important to support everyone who tries to write because their victories are your victories. So I have never really felt that bitter cattiness writers feel toward their peers.