4/20/20

Hunter S. Thompson, Weird to Most






Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men's reality. Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of 'the rat race' is not yet final. HST

The word Hunter sounded strange in his mother's ears, like an uncontrollable wild beast.

Hunter was born on July 13, 1937, which made him a          Cancer on the cusp of Leo. His father Jack was an                insurance adjuster, his comely mother Virginia Ray was a  housewife. 

The Thompson family lived in a brick house in a middle-class neighborhood in Louisville, Kentucky. Hunter was the block bully and bad-boy, he was 6ft tall by the age of 15. Everything about him was big: his hands, his head, his feet, and his torso. But it was his otherworldly, totally unconventional nature that got under people's skin.

Thompson was ungovernable as long as his friends and family can remember as a teen and into his adult life. He was always in control of the play, the props, and the players. He invented the games, and once in gear, he wouldn't cool his jets. 

Hunter was a good-looking kid, but, his looks hardly fit his manner or his unstoppable rebel-yell obsession.
When he walked into a room full of people the feeling was amped up to high voltage. He took great pleasure in blowing convention to bits.

While he was growing up at home, the neighborhood parents felt sorry for Virginia Ray who had given up early on trying to control Hunter, the 1000 pound enigma.   

Hunter never put on faces for people, he never tried to hide his thoughts or fit in. His goal from the start was to throw a spanner in and topple the regime.

The Thompson family wasn't affluent, they lived in a white neighborhood in a small stucco house.  Allot of his rebelliousness came from his enmity towards Louisville preppies; tobacco and thoroughbred horse heirs who wore Top-Siders, Polo shirts, and khaki pants with names like, Muffy, Buffy or William Poohurst III. Many of them lived in mansions up the road from the Thompson's modest brick house. 

At 17 Hunter had a BSA, with swastikas taped-on each side of the tank. He had nothing against Jews, the bent crosses were there for shock value. He would rev the engines and do wheelies in the preppie neighborhood wearing a Nazi helmet his father brought back from World War 2. 

People would complain to the cops about the noise he was making on the BSA and when the cops showed, they weren't sure what to charge him with other than weirdness in public.

Nonetheless, Hunter as exotics go, with his good looks and bad boy image to boot, was a wanted poster for Louisville girls. As the old standard goes, good girls are attracted to bad boys, but he was more interested in sowing the seeds of anti- right-wing metamorphosis than getting laid.

In time the hellraiser would discover his machine gun and his touchstone, writing--- writing that would implode the world of journalism.

TEARFUL YOUTH IS JAILED AMID BARRAGE OF PLEAS

The judge asks Hunter's mother, who begged for leniency, 

should I give him a medal for what he did?

Hunter and two other youths were charged by police of robbing Joseph E. Monnin of 175 E. Bonnyside, rolling him in a park. 

He was a junior in High school when his father died, his relationship with his father, an alcoholic, was hardly good. His father never beat him or yelled at him because Hunter was never home, and when he was home, dad was passed out in the den recliner, smashed on Schlitz beer. His lousy family life made him angry and that anger would later be channeled into Gonzoism.  

In Louisville, Kentucky the two biggest industries were liquor and tobacco, industries that supported  Southern Republicanism and the ghost of  Jefferson Davis racism for years. The frame of mind of the right-wing dullards of Louisville was the antithesis that morphed Hunter into the political hack who roasted white bread America.  

He could feel this hypocrisy as a teen and he gave his life to fighting it with words, that bent, squeezed and pleated every drop of juice out of him.

Hunter was a warrior for natural law, truth-seeking and the fairness of liberal realism that was built stone by stone on what is evenhanded and free for all humans, all races, the weird and the truth sayers. 

He joined the Airforce at 18 to get out of Louisville and after basic training, he was assigned to the Air Force Press Corp., where he showed talent as a sports writer but refused to be guided by policy.

A friend describes Hunter's time in the Air Force thusly,                                                           
Elgin Air force pass was isolated, 50 miles from Pensacola. I played basketball at Elgin when Hunter was the sportswriter for the base paper and he wrote the craziest stories, a little something would happen in the gym and he would make a great big story.

In The Great Shark Hunt Thompson touches on his Airforce days,  

At one point I was writing variations on the same themes for three competing papers at the same time. Sports columnist for one in the morning for one baby, editor for another in the afternoon. In the evening I worked for a wrestling promoter, writing incredible twisted 'press releases' which I would re-release in the other rags in the morning...

A blurb on his discharge from the Air Force in the base paper read like this, 

Elgin, AFB, Florida...A reportedly fanatical airman has received his separation papers and was rumored to set out in the direction of the gatehouse at high speed in a muffler-less and brake-less car.

The kid from Louisville was now ready to take on the UNITED STATES OF AMERICA and he had plenty of bullets care of the USAF. Not real bullets, journalistic bullets.  

Hunter moved to NYC in the mid to late 50s and got a job as a copy boy at TIME magazine as a result of his USAF stint as a journalist and the recognizable (though twisted) talent of his portfolio. 

A fellow copy boy and close friend, George Mc Garr tells a story of a poetry reading in the village by Frank O' Hara and Gregory Corso.  

Thompson says to Mc Garr, 

you remember Gregory Corso the fucking guy who wrote Boom? He's reading tonight in the Village.  

They buy two shopping bags of beer to get in the right psychogenic and cognitive space for the reading and head to the Village. 

At the coffee shop, the two eager upstart writers sit like Indians, cross-legged in the middle of the floor, pop a couple of bennies, ready for blast-off. The reading would start with Frank O'Hara followed by Corso.

Jack Kerouac was setting in the front row as Hunter and Mc Garr are waiting for Corso with great exceptions, expecting a guy like Hell's Angel Terry the Tramp to get up on stage and high rev his chopper as he extrapolates his creed. 

When Corso gets up on stage in the words of Mc Garr, 

so, up comes the miserable mincing little fag! We are wasted by this time and when Corso starts reading we start kicking the beer cans we had set in orderly rolls, across the wooden floor. The ringing tinny sound, of course, was very disruptive to Corso. Like two well-oiled lumberjacks we were indifferent to Corso and by this time, very despondent… crest-fallen. To add insult to the sound of beer cans rolling on the floor, we shout one-sided dialogue at Corso. The Beats weren't used to this kind of ill reverence, audiences treated them as deities and worshiped them. Corso left the stage. A drunk Kerouac got up on stage, saving the day and began resighting Dr Sax, unintelligible. This saved the show for us and the gentle green moss beatniks. 

By the early 60s, Hunter was living in a basement apartment in the Village, complete with furnishings from Goodwill, black walls and ceilings. He would score cocaine from  Puerta Ricans and invite people to hang out with him in his black coca cave. Most people were scared of him and Mc Garr was the only one who would set foot in his apartment. 

Hunter thrived in bizarre writing spaces and latter in Aspen he lined his writing pad in the basement with pink polyester, mohair and covered the floor with fluorescent green shag carpet. 

Sometime in the 60s Hunter left NYC for the West, GO WEST YOUNG MAN, GO WEST. With the coming of the Beatles and The Rolling Stones, the times were catching up with him. His star was beginning to shine as a syndicated columnist, submitting articles to Popular Mechanics, Esquire, Argosy, and The Observer.  

He wrote straight enough to get published, but his writing was always, as was his way, full of subtle and subliminal twisted weirdness between the lines. About 15% of his work found publication at this time, not enough to support him as a writer. 

Hunter then moves to Big Sur where he meets Sandra Dawn Thompson Tarlo, she was from a wealthy family that disinherited her for her liberal values. Sandra looked like Edie Sedgwick, she had long legs that wouldn't quit, perky tits, blond hair and she always was suntan.

She had studied English Literature at Stephens College and could see that Hunter was bound for glory as a writer. She was a sucker for bad boys as well and she was in love with the badest boy of all.  

Sandra was the only woman in the world that could stick it out with Hunter, through the acid, booze, madness, uproar, turmoil, infidelity and insane driving. 

They lived in Esalen, an artist community in Big Sur which was founded by, Jo Hudson, Joan Baez, Dennis Murphy, and the other early Aquarians who lived there. 

Sandra worked as a maid in San Francisco to bring in money so Hunter could write. Joan Baez loathed Hunter who would hunt at night for small pray to put meat on the table. Baez found this to be barbaric and not in line with hippie values. Baez was into nonviolence and he always carried a gun, like Bukowski he was no hippy. 

Hunter and Sandra stayed in the servants quarters and Jo Hudson tolerated Hunter because she could see he had talent as a writer.  

By the late 60s, Thompson had left Esalen and was a full-time writer for The Observer, sent on assignments to South America to write articles. It was during these times that Gonzo Journalism was born. 

While not on assignment, Hunter elopes to Indiana with Sandra, of all fucking places, driving from California day and night in a 58 Cadillac V8 convertible. The marriage was consummated in the back seat of the Cadillac between Texas and Arkansas in a state park.  

During the early 70s, he was doing his famous chemical regimen in earnest, acid, cocaine, Jack Daniels whiskey, Bloody Mary's, ganja, and Dun-hills always smoked in a cigarette holder. 

The period was the advent of his Gonzo look, aviator glasses, baseball or hunting caps. And, he had an obsession with low top Converse All-Stars, natural color, and would buy them by the gross.

While living in Haight Asbury he began work on his first novel, The Hells Angels. The novel was researched on the scene as were all of his books until his death.

The late Sonny Barger, then president of the Hells Angels, commented on what it was like when Hunter rode with the gang, putting it this way,    

He wanted to write a book and I thought I could put up with it. I didn't think he was no more odd than any of us. He rode with us for a year. He wore a plaid type shirt and a pair of jeans, and a knitted cap at times. And those brown lace up boots that you might wear as a hunter. He dressed like a hunter. He didn't ride and live like a Hells Angel. He would show up on weekends in his Nash and take a few notes. He always liked to pack a big Magnum gun and he liked to shoot it off. One time we went to Bass Lake there was some kind of big scene and the locals didn't want us at the lake. The police showed up and formed a line to stop us from moving foreword. We began to move on the police, and Hunter went and hid in the trunk of his car.

Back in San Francisco things were getting weird. Sandra had a new baby, Juan, and Hunter couldn't get an advance for his book so they were broke most the time. Then Hunter got a letter from The Nation offering him $100 per article. The editor of The Nation read Hunter's book in progress and thought it was great stuff.

Sonny Barger saw it like this,

Hunter wrote a article about us (Hells Angels) in The Nation. It wasn't a bad article the guy is a hell of a writer. He is one of the greatest writers I have ever read, that doesn't mean I like the guy. He asked us if he could write a book about us and I said yes. The cost would be a keg of beer at the end of the book. We never got our keg. The Angels beat Hunter up because they thought he was mouthy. It doesn't take much to dis them.  But Hunter did put up a good fight and held his own, he was a good fighter.  So that garnered some respect for him with the Angels, at least enough to finish his book and hang with them longer. I don't think we affected Hunter's philosophy at all. I saw him shoot his guns out the window of his house in San Francisco.  He had his whiskey and his speed, he had his bike before he met us. He was a wide open rider, that means he got on turned it open, would go till it stopped and got off. He didn't have any control, he was sitting way up in the air to begin with.  A BSA doesn't sit like a Harley. The bottom line is I bought my wife a BSA for her first bike. After a month she traded it for a Harley. She sold the BSA to a attorney, attorneys are big pussys to the Hells Angels.   

When Hunter's book, The Hells Angels, was finally printed, it looked like a pulp fiction novel and cost $4.95. Later when Hell's Angel, Terry the Tramp was shown the book he said, 

$4.95, where's our share? And Hunter said some bullshit likeit takes a long time to write a book and you don't get no share! 

WRONG ANSWER!  Terry the Tramp punches him in the face with a right hand which is as big as a basketball and full of skull rings. As Hunter runs back to his car, Terry the Tramp cracks him a few times with his bullwhip. 

Hunter had balls though, he never paid the Hell's Angels a penny or bought them the keg he promised them. 
Sonny Barger summed it up saying,

Hunter is still making money off that book about us, it is required reading in English 101 in California.

No one will ever know why the Angels didn't kill Hunter or put a contract out to kill him. They put a contract out on Mick Jagger because he blamed the gang for what happened at the Altamont concert. Where a fat naked Black dude was bludgeoned to death by the angels who The Rolling Stones and Bill Grahmn had hired to do security.

Hunter's book, The Hells Angels, was printed on Viking Press and sold well, the royalties allowed Sandra, Juan, and Hunter enough space to live life without worrying about money.

By the time Hunter began writing for Rolling Stone Magazine in the mid-70s, he was full-blown Gonzo. And, It's common knowledge that he was a thorn in Jan Wenner's, the publisher and editor of the magazine, side.  Hunter knew he was at the top of his game, so he made outrages demands on Wenner.

The money he made from the Rolling Stone allowed Thompson to buy his famous Aspen house, the house where he would write his greatest novels, major titles such as The Great Shark Hunt, Fear, and Loathing in Las Vegas, Generation of Swine. And in the end, he committed suicide there.

Hunter's house in Aspen was the source of many a sterling and off the wall story about his scandalous eccentricity. 

In 1975 Thompson ran this ad in the Aspen Times, announcing his candidacy for sheriff.

SHERIFF CANDIDATE
HUNTER THOMPSON
DISCUSSES LAW
AND ORDER (in Aspen)
_______________________________
1. Sod the streets at once.
2. Change the name of Aspen  by public referendum to "Fat City"
3. Install, on the courthouse lawn, a bastinado

The platform may seem like a joke to some, but it’s an exemplar of Jeffersonian influence. What might seem as absurdum at first bite, really reflects the possibility of taking a big bite out of the apple, considering the perils we face at present with the carbon greed network that's destroying our environment.

The following is a description of the events of Hunter's candidacy written by George Plimpton.

National newsmen like a caravan crowd at geek sideshow are gawking at the independent candidacy of writer Hunter S. Thompson for Pitkin County Sheriff. And, amongst the law-abiding local citizens, there are those who, silent majority mouths agape, fear that Thompson is a half-mad cross between a hermit and a wolverine.

In the end, the results were as follows Carol Wilmer 1533 votes, Hunter 1065.  

That is how close Hunter came to being elected Sherif of Pitkin County….WHAT A TOWN FAT CITY WOULD HAVE BEEN IF HUNTER HAD WON, EVERY HIPPY IN THE WORLD WOULD HAVE BEEN CAMPING OUT IN A TEEPEE IN IN THE CITY.

Hunter was very loaded one night as he was setting off J26 explosive putty in his yard, a sound his neighbors never got used too. Sheriff Wilmer, a cowboy and Hunter's friend, would come to Thompson's house, drink a few shots with him and then leave for town. 

That night Hunter set the charge in reverse and the resulting explosion threw him backward, breaking both his legs. From then on he needed a wheelchair to get around his Aspen home. 

For a man's man, being paralyzed, even for a view months, was too much. He started telling friends he was sick of writing, and if they heard an explosion in the yard again it was going to be him imploding.  

His daily chemical bag of tricks, LSD, cocaine, ganja, orange juice, and vodka began depressing him and didn't work anymore. 

No one knew what to believe when Hunter was talking so no one took him seriously. 

One night the implosion he forecasted went off and Hunter blew himself into pieces. 

He went out like a man, spectacularly, putting on a heavenly show, rigging a Chinese star cluster of fireworks, to J26 explosive putty.

The ending of this story could be a multiplicity of ace preeminent about the man, but let's end it with one single sentence, a quote from the good doctor that makes perfect sense to real writers.

I haven't found a drug yet that can get you near as high as sitting at a desk and writing!













































4/17/20

A Serendipitous Trip to Mexico





The earthen colors of autumn leaves are more bountiful than a 4th of July fireworks show. The show is short-lived though, the final scene opens when the flowers of spring, wither, surrender, falling end over end to the earthbound silt of fall. 

It’s September 1986 in New York City, Henry, Lucia, and Summer Wynd, have been camping in The Dream Suite of the Chelsea Hotel for 3 months. 

Henry’s wife Lucia had lived most of her life in Cuba. She hated snow and cold air paralyzed her. 

She began harping on Henry in the middle of September to book plane tickets to Key West. 

Anticipating the cold season tortured her.

Of course, she could choose to protect herself from the cold by bundling up when she went outside and isolating in heated ventures such as— malls, museums, theaters, restaurants, and so on.  

Or, she could take up winter sports— ice skating and the like, attempting to embrace the spirit of the season. But, she flatly refused to give winter a chance. 

Henry is sitting at the hotel room desk typing a story as the phone rings. Surely it's his editor Dave Spleen. He has a dark feeling his last story, Pink Tacos & Heat Seeking Missiles was panned by the readers of HEADBANGER Magazine, so he doesn’t answer the phone. 

He knows godamn well what Dave will say, and he doesn’t need a pep talk. He's aware his days at the rag are numbered if he doesn’t pen a hit soon. 

A recently hired upstart, with a name akin to a strain of thistle, 
Franklyn Farkleberry was stealing Henry’s fire. 

He figured every new story was going to be a hit. But, he was wrong 9 out of 10 times. He had no idea what his reader's thought of his work because the only feedback he bagged was from Dave Spleen.

Luckily, his Uncle Victor Lucowski had left him some money, because writing and selling dope were the only hustles he knew.

Henry nicknamed his family the tribe
Lucia, Summer Wynd, the Chihuahuas Che and Mia, and Pedro the woodpecker. The animals were presently staying in a luxurious pet hotel in Key West, with a swimming pool of all fucking things.

The walls of the tribe's midsize room, which the Chelsea Hotel bogusly labeled a suite, were closing in on him.

Walking the crowded streets of New York City or riding on a standing room only subway wasn't mind-expanding.

It was time to get out of The Big Apple.

Lucia’s taking a bubble bath. The bathroom's full of lit candles, giving off an aromatic scent. She’s luxuriating as she smokes a joint. Henry walks into the head and she says, 

don’t bother me, I'm mind traveling. 

He turns and walks out, leaving her to mind travel, wondering where she was traveling too?

He reckoned her mind traveling in the bathtub was testament that the tribe needed a change of scenery. 

Summer Wynd's contract with the New York City Ballet was up in a day. She had danced ballet since she was 4 and her body was giving out, consequently, she was ready for anything, except ballet.

Henry would book multi-destination tickets, flying to Mexico and then Key West. Just for fun, he wouldn’t tell the girls they'd be flying to Mexico.

Lucia’s Cuban passport would expire in a few months, so the time was right for her to travel. In that Mexico only required IDs to enter the country, she could use her passport as an ID.

The couple decided she would apply for US Citizenship when they returned to Key West. Henry had a high powered Miami immigration attorney on retainer, one Lieb Skolnik. 

Lucia had finished bathing and she was moving about the room in a thong, she asks Henry,

when are we going to Key West darling? He answers, 

tomorrow at 10 AM, 

as she jumps up and down, his eyes fix on her large natural boobs, wobbling sexually. She exclaims,

maravillosa bebe, I’m so happy!

At 7 AM Summer Wynd, who’s done-in, walks into the suite announcing, 

My days as a ballerina are over, ballet is slowly killing me! I’ve danced my last ballotté and fouetté. Lucia who’s enraptured runs and hugs her, saying, 

mi amor, we’re going to Key West tomorrow! 

The gals leap for joy, holding each other tight, radiating waves of happiness! It’s a serendipitous moment. 

Both girls wanted to make a run for it and the why of it was peripheral. One thing for sure though, the act of fleeing turned them on in a big, big way.

New York, the city Milos Foreman once said, 

looks better in reality than on postcards,

Lately, the city looked like a postcard of a bum bowled over in the Bowery to Henry.  

He reckoned deep breathing  Mexican sea breezes and tropical air would fire him with the oomph he needed to write a hit story. 

The girls are sitting in bed painting their toenails cherry red.

It’s 8 PM and Lucia hadn't dressed yet. Her body was statuesque, people told her she looked like Sophia Loren. Folks at the beach eyeballed her when she wore her thong bikini. Often she took her top off exposing her rotund breast to the world and the gods above.

Henry picks up the handset of the phone, lifting it to his ear and dialing room service for a snack and some booze,

hello, room service, we want ah, 3 meatloaf sandwiches on Wonder Bread with mustard, a pint of vodka, a pint of Kailua and a carton of fresh cream, send up Ricco the wop!

In 20 minutes Ricco is at the hotel room door, Lucia opens the door in her bra and panties, the 19-year old kid wheels the trolly in and says, 

Miss Lucia, yous sure have a nice a body, Henry says, 

you like that Ricco? She’d rock you ragged man, you'd walk bow-legged for a week. 

They chuckle and Henry gives Ricco a 20 buck tip, going on to say,

we’re checking out early tomorrow, we'll be back next summer, see ya then kid!

Ricco wheels the trolly out, whistling the Sinatra tune Mam’selle, turning his head for 1 last glimpse of Lucia's body. 

The tribe sits at a small table eating meatloaf sandwiches and drinking White Russians. After the snack, they quickly pack, throwing their clothes and the rest into carry-on bags. Henry places his Packard portable typewriter in its case.

They wake at 7 AM, showering and then dressing casually. Then, schlepping their bags to the old sliding-gate elevator. 

After a short wait, the door slides open, they go inside and Summer Wynd hands Franky the junk a 20 dollar bill saying,

see you next summer, Franky.

In the lobby, Henry settles the bill and asks the clerk to call a taxi. 

Standing on the sidewalk, they wait for the cab in front of the Chelsea Hotel, the hotel's their home away from home when they're in New York City.

A Yellow Cab shows and the driver gets out, loading their bags into the trunk. Inside the taxi, Luca negotiates a fixed rate to LaGuardia Airport speaking Spanish with the driver who is Puerto Rican. 

It’s a 30-minute ride on FDR Drive to the airport. The hack is busy chatting with Lucia in Spanish, who’s sitting next to him in the front seat. The 2 are howling, laughing about something. Then, the hack lights a sweetly scented joint, passing it around.

The tribe is sanctified, living proof that good vibes attract magic happenings and opens doors. 

The cab double parks in front of the American Airlines terminal. The hack hustles to the trunk of the taxi, opening it and pulling out the threesomes bags, then giving Lucia a long hug, she had a rare effect on people, an open-armed charisma.

Henry takes care of the ticket work at the counter and the girls wait, clueless they're going to Mexico City, not Key West. 

It's a long truck to gate 78, bushed they sit in the waiting area, Henry has the boarding passes. It's 25-minute wait until boarding and the girls chat a mile a minute nonstop.

At boarding time, Henry flashes the boarding passes and the tribe walks through the aerobridge into the plane,  their seats are in the last aisle. They sit down, buckling their seatbelts. As the payloader pushes the jet out to the runway, the Captain says over the loudspeaker, 

Welcome aboard American Airlines flight 357 to Mexico City, our flight time will be approximately 6 hours, and so on. The girls look at Henry and Lucia says,

Jesucristo, we're on the wrong flight, we're fucked, he hoots with laughter saying,

nevermind, let's go to Mexico, the girls roar excitedly and Summer Wynd says,

jokes on us, we didn’t have a clue. What a happy surprise, thanks baby, we love you! Then Lucia says, pulling Henry's chain,

I nearly had a stroke, pendejo! 

With a powerful swoosh, the 747 flies upwards into the heavens, leveling off at 40,000 feet. The burning jet engines sear more than a few angel wings. No, bother though, commercial flights took precedence over celestial divinity.

As the seat belt sign is turned off, Lucia who's sitting in the aisle seat, jumps up, hustling to the head. On the way out she bumps into a Mexican stewardess, they converse in Spanish and chuckle.

When Lucia returns to her seat the Mexican stewy is behind her, carrying a plastic bag full of assorted miniature bottles of booze, a barf bag full of ice and some plastic cups, placing the goodies on Lucia’s open tray.

The tribe sucks down the booze, an hour into the flight they’re boozed up and pie-eyed. 

50 minutes from Mexico City International Airport, the sexy Mexican stewy signals with her hands to Lucia, mouthing the words, 

come on baby!

The 2 quickly walk into an unoccupied head, locking the door, doing what women do when they get it on.

The seat belt sign lights, signaling a slow descent and landing in Mexico City— a city way below sea level that could collapse into an ogre sinkhole any minute. 

Lucia who's disheveled after lady screwing with the Mexican stewy in the head returns to her seat and buckles up. 

The threesome are the last to exit the 747. The Mexican stewy's at the doorway leading to the aerobridge, she grabs Lucia and kisses her, Henry wonders,

What the hell? How did the stewy get away with it, giving us free drinks and shtupping Lucia in the can?

As they walk through the aerobridge Lucia tells him,

Her Padre is the richest man in Mexico, he owns mucho shares of American Airlines stock. 

The gang breezes through customs, carrying their bags outside the airport where they stand in the taxi queue. 70% of the cabs are Volkswagen Bugs and the rest are Toyotas. 

A green and yellow cab stops in front of them, the driver gets out and opens the trunk, which is in the front of the VW Bug. They place their bags inside. Lucia sits next to the driver, talking to him in Spanish saying, 

chico, take us to the Zocalo Hotel en El 
Centro Histórico Distrito! He answers,

150 Pesos, señora, she answers,

vamonos!

The cab double parks in front of the Zocalo Hotel. It’s a simple but elegant 6 story neoclassical hotel built in the 1890s, overlooking Zocalo main square. The walls of the hotel are covered with white marble and the floors are made of wood. The lobby is uncluttered, Zen-like.

At the front desk Henry books a room with a kingsize bed for a night. In the morning the tribe will travel to Acapulco or 
Puerto Vallarta. 

The Elvis Presley film, Fun in Acapulco, was filmed in Acapulco, and, The Night of the Iguana was filmed outside of Puerto Vallarta. 

Henry adored The Night of the Iguana, having seen the play and the film. He was a big, big fan of Tennessee Williams, who he reckoned was singularly America’s foremost playwright and a fervent truth-sayer.

As for the film Fun in Acapulco, he figured Elvis was coerced by the Colonel, his manager, to play an aw-shucks good ole boy in all his films, because the Colonel was a country cousin square.   

The tribe settles into their room, 603. The room has wood beams on the ceiling, and the kingsize bed is covered with a bright-colored Mexican falsa blanket. 

At 8 PM the gang cleans up, braiding and oiling their waist-length into single braids. The girls wear faded jean shorts, tank tops, straw cowboy hats and rubber flip flops. Henry puts on a pair of khaki shorts, and a white t-shirt with lettering which reads,

                                            DRINKO
                                                 DE
                                              MAYA

They leave the Zocalo Hotel, walking in the soupy night air for what seemed like 100s of blocks, eyeballing everything the streets served up— markets full of shops, hookers, street performers, taco stands, beauty shops and much more. 

They pause to pay homage to the Estatua al Perro Callejero, a large bronze statue of a mixed breed dog honoring Mexico City's street dogs. The girls place a dozen roses on the doggie memorial.

As they continue to walk they see an old cantina, The Opera. There bushed, so they go inside, sitting at a table. 

The Opera’s a bonafide piece of woodwork from yesterday’s antiquity. It’s a 143-year-old Mexican Cantina where Pancho Villa once sat and drank tequila. You can smell the cedar bar and the carved wood floral ceiling is trimmed with gold paint. 

An attentive waiter, wearing a buttonless white cotton shirt which hung over his black trousers comes and takes the tribes order. Sumer Wynd orders,

howza bout, 6 shoots of Anejo Tequilla, a pitcher of Negra Modelo, and 3 combination plates?

By the time the plates of authentic and scrumptious Mexican food are served, they are rolling drunk again.

As Summer Wynd pays for the late diner they decide to walk, thinking the city air would sober them up. 

Near Estatua al Perro Callejero a hooker comes on to Henry, rubbing up against him saying,

hola bebe, I got some sweet pussy for you! He smiles saying, 

I got more women than I can handle! Lucia lays into the hooker in Spanish saying emphatically,

beat it puta, take your nasty coño down the block!

They take a taxi back to the Zocalo Hotel, going to their room, getting undressed and pass out in the kingsize bed. 

One thing you could take to the bank was, only the gods knew what storm-tossed peril waited up the road for the tribe in Mexico. Their life was a runaway train and they liked it that way.