6/6/10

MESCALINE AND MEXICO CITY Part 2 of HASH OIL





















On June 1, 1983, it snowed, rain and snow in Milwaukee. It was not a true winter snow, fifteen feet of torturous snow that you dig your way out of like the trenches of Verdun. It was sickening slop. After six months of being cold all the time, seeing the sun rarely, you felt as though the ichor in your bones was frozen and your soul was industrial soot.



Lucowski felt radio waves of Morris Code in Spanish that adrenalized him.  FL put some shit in his clutch. The Kerouac uniform: all cotton, polyester was way too fucking hot for Mexico. He used the same boy scout duffel bag with emblem, that he used when he left home at 15. It was a talisman and lucky charm.

FL had phobic fear of flying. He hated everything about flying. He hated the formality and ass kissing, the feeling of being a cow led to the slaughter-house. The air host & hostesses were like prison guards in his eyes. Worst of all was a the torture of getting a window seat next to the wing. On continent to continent flights over Atlantic or Pacific, when the plane would hit turbulence, Lucowski would gaze from his wooden overcoat at the wing and wonder how the rivets, as big as nails could keep the wings from busting up and falling into the sea.

And the safety bull (instructions before the Trans-Atlantic flight) he knew all the fucking inflatable tarps and life vest, barf bags, brave airline stewardess, skilled pilots couldn't  save your ass if you went down in the middle of the Atlantic. "Tuck and cover," kiss your ass good bye.  A half hour of highly pitched terror, last minute rights of passage and mea culpa unimaginable.

While everyone else was praying and posturing on the way down, FL imagined running to first class and securing a bottle of cognac, glomming on a raven haired, winsome and beauteous stewardess while draining the sauce, cascading to ground zero.

So, flying to Mexico City was out, and taking a Grey Hound bus to San Diego was in.  Pearl would drive him to Chicago. She had a new boyfriend, Winchell Cromwell, a young bartender at "Skull &Bones" he also worked at "Killer Fuel Cafe". Pearl had long naturally white unpigmented hair which she wore in Sioux braids or up wrapped with a chopstick. She was a beatnik poetess who knew and corresponded with Allen Ginsburg on a regular basis. She lived with her daughter in a small room over " Killer Fuel Cafe." Her room was painted sea green, mother earth, "hip to the bone".

Pearl refused to take on his (Lucowski's)  psychodrama any longer. She let FL drive her old Volkswagen while she sat shot gun, driving south on the Wisconsin Turnpike, they smoked skunk weed with the windows open. Pearl gave Lucowski a farewell blow job.

The Chicago Greyhound Bus Station was near Maxwell Street (where parts of the "Blues Brothers" were filmed), and near the Belushi family greek restaurant "Olympia". Pearl dropped FL off with little adieu.  She hugged FL and said "ta-ta-ta" a Gary Snyder Zen beatism, put into words: a rose is a rose is a rose (or) first you see the mountain, then it disappears, then you see the mountain again. Lucowski could never seem to see the  mountain at all.

The Greyhound Bus Station gave Lukowski the same feeling he would get in jail, grey. Most people riding buses couldn't afford to fly, being at the bottom of the food chain. Figaro had the usual first aid kit of dope and booze in his duffle bag.  In the eighties you could ride a Greyhound with any kind of dope you wanted, because you weren't driving. The secret of successful Greyhound Bus riding was to keep your mouth shut, but be discerning when you did start up a conversation. You could keep a nice buzz on. Bring plenty of brown heroin, symmetrically snorted with gulps of Vodka. Lucowski would buy a can of King Edward snuff, empty it, and put heroin in. 

(Goin south with the bus window wide open, blowing sweet air in your face, in reverie, fantasia and REM. Pleasing the mind, more than a plane ride on Nazi Airlines).

Ebony sisters were the sable queens of the bus line. I think it had to do with their marvelous pure-breed genes, look at Ray Charles's mother, she loved the blind child like a RAY of moonlight, raising him to take the edge off the world's heart, the blessed black Jesus. Lucowski at times would ride the bus for hundreds of miles, tweaking out on heroin, drinking vodka with sable sisters, even making out with and enjoying jasmine scent of sweet sisterhood.

FLs Greyhound reached Texas seven days later. For Lucowski the ride was so so: A Greyhound in hooplets that would expand slowly at a snails pace, navigating the United States. As he looked out the open window, blinded slightly in opium vapor, he was a white black man, RAY, feeling sable sisters wrist and loving, smelling desert and tropic air, seeing yellow haze and red Georgian mud outside, sometime his mind going deep inside, into creek and Song Hong River bed of glory amuse.

When the Greyhound bus reached Lubbock, Lucowski was junk sick and itching some, feeling heroin and diesel poison in his gut, nauseaum. Spewing his guts out in the nefarious and execrable bus toilet. He bought out the whole supply of Bromo-Seltzer from the bus station store.  427 miles to San Diego, the bus was full of young white guys, dumb yokel cowboys with pimples, on their way to Camp Lajun. His love, sable and jasmine soul sisters, long gone, exiting at Georgia and Arkansas. The young recruits rubbernecked the strung out Lucowski like, "Sid Vicious on a  the subway in New York City" a vile, half conscious sick vermin. FL still had an ounce of skunk weed Pearl gave him, he made a quick trip to a liquor store and bought chocolate liquor and vodka to mix with canned milk. FL would go on the booze and weed maintenance program the next 427 miles. 2000 miles of hooplets expanding, yellow heroin, unveiling secrets of the soul and beautiful vision, in the end, opium beat the shit out of him every time.

77 miles outside of Lubbock the bus stopped in Honkeville. Lucowski went into a western shop and looked at cowboy boots and hats. He liked the straw style cowboy hat that your needed to role up, step on, rub in cow shit a few times before it was wearable. FL looked at some brown soft leather calf skin boots. He had done part time work one summer as a kid, on a ranch in Nebraska. FL loved riding fence for miles and miles, he could mend barbwire or string it, pound post, string wire over a creek. He loved being in nature alone on a horse or a dirt bike.  

Ranching, raising cattle for sale, putting hamburgers on the plates of America was appalling to Lucowski. He can remember the sinking feeling he would get during round ups and branding. Fig would look in the cows eyes and see terror. He loved animals.When he asked the foreman if it bothered him that all these lovely animals were headed to the slaughter house, the old grizzled cowboy would spit some red man and say, "Son it's just commerce". 

Lucowski worked the other end of animal slaughter as science fiction horror and commerce as well. He worked as a packer at a Swift Meats slaughter house on the South Side of Milwaukee. Figaro, at the end of the slaughter and commerce line, loading skinned and frozen half torsos, cattle carcass that should be buried with full rights, not eaten, into refrigerated semi-truck coaches. You could see the rivers of blood leading to and flowing from the killing floor.

As the Greyhound bus pulled out of Honkeville, FL left with a new straw cowboy hat that didn't smell real good, he left the "calfskin" boots at the cowboy store. He passed out in his seat, he smelled like shit, none of the Marine recruits would get near him.  He drank himself into a backwash of unconsciousness to get through junk sickness.

The bus driver had to throw a few cups of water in Lucowski's face at the San Diego Greyhound station. He told FL that he thought he was bum, to go get some coffee. The driver told Lucowski he smelt like vomit: "fucking hippy take a bath" and "don't ever get on  a Greyhound bus again". The recruits were long gone headed to Camp Death, Lajun.  Lucowski thought to himself, those poor bastards (Marine recruits) don't know what they are getting into. As well as, what in the hell happened on this bloody bus? He could remember little of it?

A few blocks away from Greyhound  FL was walking on the sidewalk with his duffle bag heading nowhere (erehwon). Figaro could feel "rays glorious" of sun light, smell papaya flowers, tropical air and ocean blue. He hitch hiked to Ocean Beach and wiggled his toes in the sand,  stripping down to his boxer shorts, FL dived into the Pacific Ocean. Lucowski body surfed for hours, it was like being baptized, given a new life,  no longer junk sick, headed to Mexico City. Figaro was screaming for joy inside, he had chicken skin, re-birthed and free at last from frozen tundra and factorium of the "Milwaukee Death Trap", Jesuit and socialist hell.

After swimming he cruised downtown San Diego on foot.  FL ate bean burritos and rice, smoked a joint in the alleyway.  He got a tattoo of a celtic cross embellished with a red heart on his forearm. He had his mothers name inscribed on a banner wrapped around the heart "Pauli Mae RIP". 

That night he got a taste for mescal with the worm in the bottle. FL went into a Chicano bar under a beltway overpass. Hector's had one bartender, cantina music that was deafening. The place was packed with migrant workers, men and women in flannel shirts, green and khaki chinos. Dark skinned from working their fingers to the bone picking grapes or oranges in the sun. It was a friendly atmosphere and Lucowski got on well with the Mexicans. A colossus brown man, who was over 6 feet tall and weighed at least 330 pounds approached Figaro, sitting at the bar. He asked "gringo what are you doing here"? He had long hair down to his back and a "fu man chu" chops. It turned out he was a member of the Hells Angels, not wearing his colors. Lucowski rolled a joint and he and Chico went outside and got high in the alley. The two hit it off well, FL showed proper respect and didn't bullshit Chico. Talking, Figaro told Chico about his years working at Harley Davidson and in the Hash Oil factory in Milwaukee. At bar time Chico and FL were blasted. Chico said Lucowski could crash at his and his old ladies digs. FL put his duffle bag into the back of Chico's pickup. 

Death metal turned up full volume, FL rolled a joint. 

Chico's house was a typical Southern California stucco track style house. He kept his Harley and tool box in the garage. He had two kids and his wife worked as operator for Ma Bell. He was a Hells Angel, who rode with his chapter when the time came, but was a good family man. The next morning Chico's old lady made a Mexican breakfast and we talked with his two daughters until school time. 

Chico thought it would be a good idea for FL to buy a cheap used car in San diego, cross the boarder, drive it till it died and dump it . Lucowski bought a 68 Dodge, ugly sepia color, the floor was rusting so bad that Chico and Lucowski had to saw and bolt pieces of plywood on ther rusted out floor, so your feet wouldn't fall through to the road. Chico asked Lucowski if he would give two farm workers a ride to Tijuana, a married couple. The three of us left from Chico's house at 9am on a Sunday Morning,  San Diego time. The farm worker couple were sweet and appreciative to get the ride. Their names were Maria and Juan De Jesus. We loaded up the rusted out Dodge boot with FLs duffle bag Maria and Juan's cardboard grape boxes, wrapped in plain cord. God only knows what was inside, it could have been raw uncut Columbian blow for all Lucowski knew. We all gave our friend Chico a hand shake and gave him a pat on the back. He had his Hells Angels colors on. Chico's chopped Harley was on the front lawn, for a last minute check over before going to a meeting at the club house and on a ride up north. 

Lucowski backed out of the drive and headed for Turnpike 666, heading directly south to Tijuana. The old Dodge moved pretty good,  Juan sat shot gun with FL and Maria went to sleep on the back seat. We must have been a sight: two migrant farm workers and a gringo, driving slowly in the right lane. The old rusted out  car needed new piston rings, it wouldn't rev faster than 79 rpm. Within a few hours we reached immigration at the Mexico border. The square jawed US Custom's dicks told us to pull over to the side. It was a peice of cake for the cretan imbeciles to check the floor board for dope, all they needed was a crescent wrench to take out the plywood flooring Chico and FL had put in. No dope or Mexican midget wrestlers hidden under the floor board.  Figaro had a few unopened bottles and cans of chocolate liquor, vodka, evaporated milk and Bromo-Seltzer in his duffle bag. The Bromo-Seltzer had to be litmus tested. Reaching high water mark, the dicks saw the card board boxes in the boot of the dodge. Lucowski didn't know what was in the boxes and hoped it wasn't dope or severed heads in plastic bags. The Hells Angels had a bad rep to some. The dicks opened the boxes, Figaro crossed himself over his heart three times. The boxes were filled with pumpkin and watermelon seeds to be planted on Maria and Juan De Jesus's ranchero.

Once in Tijuana, Maria and Juan invited Figaro to stay on at their small ranchero?  He gave the old Dodge to them. They all hugged each other, Lucowski said thank you, but he had "important business" to take care of in downtown Tijuana.  He headed straight to the "Gringo Diabalo" cantina. FL's drink of choice in Mexico was mescal by the bottle, straight shots. He could see soft dark girly faces smiling from the shadows of the bar.  Lucowski brought his drink and sat down next to a middle aged Mexican scarlet women. Her painted purple lips, ovoid, seductive, an open invitation for oral sex. FL could see a roll of tissue paper by her side. After getting off in Molly's mouth, he drank a few more shots of mescal and headed with his duffle back to the bus station.

Lucowski bought a third class bus ticket to Mexico City. He could drink openly on the Mexican bus. Weed and dope were out of the question for now. Mexican mafia dressed as cops could bust you for booze money. FL had to get to Mexico City to score dope. He loved the farmer buses, they were safer than deluxe buses, which were newer and faster. The deluxe Mexican coach drivers had big egos and drove at great risk on the winding mountain roads. 

The 79 Chevrolet Sierra bus: with orange and red Santa Maria's on flat blue faded paint and yellow trim, not unlike the tour bus of the Reverend T. Lawrence Shannon. Lucowski took a seat next to an old Mexican women with snow white hair, olive tanned skin and deep facial wrinkles.  Her look was stoic and composed, a shaman who Lucowski knew to treat with the utmost respect and reverence.  He offered her a drink of mescal from a flask, she pulled a Lime out of a straw basket and quartered it. They shared a drink together. She was  90 years old, a healer and seer called Jopheil (an angels name). The two new pals began to get wasted together, in a few hours it was night in the flat desert. Lucowski felt the lovely lady nudge his arm, she put a small woven sack filled with dried mescaline buds in his hand. The two friends ate the buds.

Lucowski and Jopheil never spoke more than three words to each other, listening to the sound of shifting gears and  bus tires on the flat and cold desert roads.  Lukowski and Jopheil began to tweak, astral traveling to the Upper Room, flying with angels, peeking on the mescaline buds. They were in pure white light energy together at Satan's tomb. Jopheil got off the bus at La Rosa Casa, a small Mexican town were the desert meets the hills of Antigua. Lucowski rolled up a US Thousand dollar bill and gave it to her.

When the bus reached the edge of Mexico City FL felt like he was on the edge of hell riding through a ring of fire. The city was a cavernous underworld. FL needed to rest and shake off the antecedent nights astral session with Jopheil. Figaro got in a taxi and told the driver "Plaza De Revolucion". At the Plaza Lucowski gave the driver 200 pesos, grabbed his duffle bag and started walking. 

It was 9pm, Lucowski went directly to a large, 200 year old black stone and old brick antigua Catholic Church, "Santa Pedro". Figaro was a satanist who studied the occult teachings of Aleistar Crowley and astral projected on mescaline, but he never missed a chance to walk into a Mexico City church and "shake of the devil some". It gave him balance. The church terrace was full of women dressed in black, lights strung across the promenade, a festoon of orange, read and crimson flowers. Everyday Mexican people praying for a miracle to deliver them from their holdrum and hackneyed life.

Lucowski sat int the front pew, the air was adorned with the chanting sounds of low whisper praying in Spanish. He fell to his knees and kow towed before a beauteous and beatific Jesus on crucifix. He took out his flask and washed down a few left over mescaline buds in his pocket. Figaro stared at the face of Jesus, Jesus's lips started to move, Jesus lowered his head, Lucowski could feel heartfelt humanity. Lucowski elevated to the upper level of consciousness, sitting at a campfire with Jesus in a forrest. Jesus was chastened and self effacing reading from a book. 

After church, Lucowski picked up a Mexican whore and spent the night with her in his hotel room in drunken reverie, on a whim he thought it would be nice if Jesus could come down off the cross and be entertained by a Mexican whore and enjoy some Tequila with Lucowski. Jesus always seemed to have the weight of the world on his shoulders, stooped over, having to carry that heavy wooden cross for eternity. Figaro missed his pal Jopheil as well, maybe he would go back to La Casa Rosa tomorrow and find her, they could party some more.

FL got the feeling his "Pilgrimage to Mexico" had ended as it was supposed to.

~FL~ Saturday, June 5, 2010












5/30/10

DENNIS HOPPER USA ICON DIES

Written in April of 2010








Dennis Millard was born May 17, 1937, on flat ground, outside of Dodge City, Kansas. It was spring time on the small farm, tiny green grass sprouts that would turn into endless tarmac were beginning to break out. Dennis's mother,  Marjorie Mae Millard was a beautiful poetess of the soul who loved to swim rivers and lakes in summer time.  

The Millard family really wasn't a stand out, in Dodge City, they seemed distracted and tuned into a radio wave, looking westward somehow. Dennis has always had that look about him, looking forward through everything and onward.

Marjorie Mae dearly loved young Dennis, he was her blessed soul connection. She would spend hours holding him in the breezy groves of his fathers Hemp farm. John grew Hemp to make rope for the war effort. Summer was the sweetest  time on the Millard farm, their front porch was covered with books. Marjorie Mae home schooled Dennis until they moved to California. She taught Dennis to read Whitman, Carl Sandburg , Tolstoy, Abraham Lincoln and Shakespeare.  

Dennis could swim by the age of two, Marjorie Mae would take the boy swimming in rivers and creeks. By the age of 7 Dennis was already working with John to bring the hemp crops in. The flower farmers would can  jelled chicken soup stock, wild bird meat, fruit, berries and vegetables (which they raised themselves organically). The flower unit was self sufficient, the tornado cellar was always larded to the max to survive the Kansas winters on desolation row.

Dennis never really thought about cutting loose until the Millard family loaded up their 48 Pontiac. The V8 car had a trailer knob on the fender to hook up their small Airstream. The trailer was nice for siestas on country roads.  The flower unit was now headed west riding radio waves to California. 

(ASIDE: I realized while editing , that the story begins to bust loose and get down some as the Millards drive to La Mesa! So I am busting loose in the 1950s with Dennis Millard. The inconstancy and lack of tenor is hardly the hallmark of a true PRO. Vonnegut writes all over the place but he is a one of a kind American legend, so he can! Fuck it anyway, EVERYTHING IS IN YOUR SOUL. It flows outside and around time zones into the present, from Heaven into Hell, more on Lee Strasberg methodism latter.) 

The Millards enjoyed a steady drive to La Mesa. Dennis's father John or poppy, was on his way to a new job as post office manager there. Young Dennis kept busy in the back seat of the Pontiac, reading Hemingway,  Shadow comics and eating chicken sandwiches and Clark bars while poppy drove. The flower unit was driving through Texas, northwest, on Highway 90 hugging the Mexican border. Hank Williams and Bob Willis were on the  radio along with devilish bits of cantina music coming out of Juarez. The potent mix of  southwestern music, black bean smell from the greasy spoons, and dry night air tantalized Dennis. It  filled him with wild gringo energy and vision. It made him feel like busting things up somehow. Later Dennis would relate the story of the trip to James Dean, it emboldened both of them to say, "fuck off man" to wonder bread America, circa 1950. 

The Millard's bought a three bedroom pink deco style house that was on the edge of an orange grove in La Mesa. John settled into his job as post office 91491 manager and Marjorie Mae got a job as a life guard instructor, she looked sweet in a the red tank top swim suits. 

Dennis went to Helix High in La Mesa. He was not an uninspired student exactly, but he hated authority figures. Amazingly he was very sociable, coming out of the cloistered environment he was raised in, on the Kansas hemp collective.

Dennis discovered a passion for beautiful women at Helix High School, which he has to this day. Later,   he married and divorced Michelle Phillips for eight days just to fuck her. Hopper preferred to spend time at the swimming pool and surfing, and rarely studied. He was voted "most likely to succeed"  which rang true. Poppy and Marjorie Mae never bothered pushing Dennis much in formal academia, they new he was on his own radio bandwidth. Marjorie Mae's home schooling of Dennis on the Kansas Hemp collective was superb. Dennis didn't need more formal education in a high school.

Besides discovering " the world of  pussy" at Helix, Dennis connected with a desire to express his feelings and thoughts on stage. He also loved the attention and praise he felt on stage. Dennis earned a scholarship to San Diego's Old Globe Theater. He proceeded to hone his acting chops on Shakespeare and Camus. After graduating form high school Dennis moved to LA and began acting in the Pasadena Playhouse. He invented his stage name "Hopper" which was purebred Hunkeism circa 1950 Times Square scene, to be 'hopped up' on speed. 

In reading  Hopper's bio on Yahoo, it seems the 'breaks' the average Joe busts his balls for just happened for Dennis. Dennis is hugely talented, Great Spirt given. I don't think he is the type who works at it much, but he is a hard worker. Further evidence of Hopper's extreme talent is in the type of roles he attracts, he was given insane roles from the start.

Dennis Hopper's debut on national TV in America was a guest spot on the NBC show "Medic" in the early 50s. He played an epileptic soldier no less. I can visualize Dennis sweating and shaking in army fatigues on Black and White TV saying,an "no man, I can't ". The epileptic soldier would come back to Dennis in roles to come. One was the photo journalist in the black out war epic "Apocalypse Now".

Dennis's seizures were so realistic, that it earned him the attention of Hollywood's elite, setting the stage  for the rise of the phoenix out of the the ashes of golden era TV, circa 1954. Others to rise from the ashes were Clint Eastwood, Steve McQueen and James Dean. Hopper was offered auditions all over Hollywood. He did an audition for Harry Cohn, the hard ass head of Columbia Studios.  Harry told Dennis to pick a 15 minute bit from any play he wanted and perform soliloquy. Dennis picked a short sonnet from "Othello". At the end of the audition Cohn told him to drop the Shakespeare crap and get real.  Dennis looked Cohn straight in the eye, with the intense and shameless Billy stare he used in "Easy Rider" and said what else? "Go fuck yourself man". He was immediately eighty-sixed from Columbia Studios, (big fucking deal he hardly needed Cohn).

What does a screaming giant of talent do if he gets eithty-sixed from Colombia Studio? Go to Warner Bros. Hopper immediately got a job as a stand in for James Dean in the film "Rebel Without a Cause" circa 1955, and a bit part as one of the "juvenile delinquents" in the film. Jimmy and Dennis immediately became best pals. They would smoke dope together in the bath room of Dean's Airstream on the set, putting towels in the cracks to keep the "odious" smoke from the attention of Warner Bros. security. The two friends would talk for hours about beat stuff, writers, Camus,  Sartre, and Carlos Williams. They loved music of all types, Monk and Miles Davis, as well as Country and Rockabilly. Both precocious farm boys were living life in full color, trying to bust out of the grind. After shooting they would hit jazz clubs in LA and play conga drums. 

Both Hopper and Dean landed roles in the film "Giant", (a film about Texas oil money in circa 40s) Jimmy got the primo part of Jet Rink (a Howard Hughes type bad boy). Dennis's role was very untypical for him. He played a clean cut kid who was very anonymous. They both were in love with Elizabeth Taylor, who they thought "had the most beautiful tits in the world". The three would sit around in Giant's Texas set compound, and talk about life, laugh, smoke dope and drink wine .  

After Giant,  James dean bought a Porsche 550 Spyder for racing and off track driving. Everyone knows how Jimmy died in the famous auto crash. Dennis Hopper was bummed out by Deans death. He felt like he had lost a true soul brother. Some people think Dennis was the heir to Deans rebel throne. Dennis did become a counter culture hero later in his own right, not because of his best pals accident.

Dennis went on to do some Western's including "Half way to Texas, Hell USA" circa 1958 directed by Hath Hathaway. Hathaway was a hard driven alcoholic director with a red pin cushion nose. He resented Dennis's beatific manhood and took it upon himself to whip it out of the boy. He didn't take to no "improvising" and decided to bust Dennis up like a wild bronco for not following the script to the tee. During a scene I am sure Dennis would rather forget, Hath made him do 80 takes and some push ups. The experience was not good for Dennis. He wasn't over the death of his  friend James Dean and was suffering from "too much too fast". Hath later predicted wrongly " why the boy will be corralled out of the industry". The red neck director ended up getting shit canned by some drunk Navajos while on a drunken weekend. This is what happens to people who try to destroy others because the others are scary.

Dennis did get shit canned from Warner Brothers after "Halfway to Texas, Hell USA". With enough money and some time on his hands he decided to go to Manhattan and study methodism with the  Lee Strasbourg… Ooh la la . The method is to let your soul out without letting the script get in the way. In New York Dennis met people that were more on his wavelength than the red neck western directors at Warner Bros. Chris Harrington and Andy Warhol were key influences on Dennis's expanding concept of art and film in the 60s. 

Harrington introduced Dennis to Roger Cormen who was directing a low budget acid flick called "The Trip" with Peter Fonda in LA. Dennis took over co-writing duties from Cormen  writing the script with Peter Fonda.  The Lee Strasbergs were closer to an acid trip than "The Trip". There were some nice touching freely scenes in the film, today you would call "The Trip" retro. 

At the time Cormen was working on another low budget film, a nut-so vehicle for the Monkees called "The Head". "The Head" was being screen written by Jack Nicholson, and to be honest it was going in a zillion directions, splintering and expanding, because  Nicholson was spiking Cormen's and the Monkee's Cool-aid with Purple Owsley. Dennis was a guiding light in bringing the forces together to finish "The Head". Had Dennis not stepped in when he did Nicholson, Cormen and The Monkees might still be on acid filming "The Head" today.

After "The Head" Hopper decided to direct himself. He had directing experience with Andy Warhol in the factory, on such films as "Skin" and "Aluminum Potato".  Dennis was also studying photography. 

Back in LA one night Dennis went to the "Whiskey" on Sunset with Michelle Phillips to hear The Doors play. Dennis planned to met Peter Fonda and Terry Southern. Southern looked liked Norman Rockwell with his short hair and Meerschaum pipe. He was totally out of place at the Whiskey in the 60s, but he was a wacko genius. Southern met Dennis during the filming of "Giant". Peter Fonda showed up at the Whiskey that night in his white leather pants, no real biker would wear shit like that man. The dude made an impressive entrance on his blue metal flacked chopper . You would have to say there was something in the brew that night. While Jim Morrison sang "Back Door Man," Hopper, Fonda and Southern put down the outline for a film to be called "Easy Rider".

"Easy Rider" circa 1969, was ground breaking in more than a few ways. Firstly there was not much pre ordained script to speak of, only an outline. Terry Southern was famous on the "road set" for shaking the script at Hopper and Fonda, trying to keep the film on track. Secondly there were only real drugs to be used as props and ingested on the set. Hopper and Southern did the script writing duties on the fly. Dennis played the protagonist character "Billy". Peter Fonda was Captain America.  Fonda insisted that only Harleys would be used in the film. Other uses of creative genius included using real life "red necks" with no acting experience in the film. And of course the 16 mm acid scene in the New Orleans grave yard, filmed by Dennis. 

(ASIDE: The pimple faced drug dealer wearing the funny Kango hat in the opening sequence was Phil Spector. He did the bit for free, even volunteering the use of his haunted Bentley as a prop. He bought it from Keith Richards a week earlier. I will never forget the scene as John Kay starts to wail " 'Pusher Man', well I popped allot of pills " ME TOO). 

"Easy Rider" was  a bust out film for Fonda, Nicholson and Hopper. Jack Nicholson was ready to give up acting because he couldn't find work. He was selected at the last minute to replace Rip Torn as the country lawyer. All these guys had worked with Roger Cormen who was a master at film making on the fly, for cheap.  

"Easy Rider" was so successful at the box office that it put all the guys involved at the pinnacle of their careers. Only Jack Nicholson continued to move foreword at break neck speed. Peter Fonda, petered out for some years. Dennis sunk deeper into drug use and the despair of alcoholism . He was writing the eternal script and did a film called "American Dreamer" circa 1971. Another film from this period  "The American Friend" was a great film about a expat living  in Europe. The character  drove a 58 Cadillac around the streets of Berlin, wore cowboy boots, a Stetson and a garage jumpsuit like Neal Cassidy. Dennis was not shaky and gave a strong and powerfully brooding performance.

As most residents of Taos, New Mexico will know, Dennis Hopper lived there in the 70s. One night he was working on the eternal script in the "hash house" of his log cabin and teepee mansion. All the cocaine and whiskey caught up with him. Dennis drove down to the square in Taos wearing his garage overalls and Stetson, carrying a couple of loaded six guns. He preceded to act out a nervous breakdown in stages, shooting a few caps into the air. To be honest this kind of activity was an every morning wake up call/ritual for Dr. Hunter S. Thompson. But Dennis Hopper is a very sensitive artist and this was no fun for him. Thank the Great Spirit of Taos, no one was hurt, but Dennis sadly hurt himself.

After a some months in rehab and some attempts at Alcoholics Anonymous, Dennis relapsed. One morning he got a call from Francis Ford Copalla (who was an unknown at the time) asking him to play the role of a tremulous X green beret slash photo journalist in a film called "Apocalypse Now"circa 1979. The film was a freaked out dark saga, Joseph Conrad genesis. Dennis was primed for the part in his present state of mind, on the verge of another nervous breakdown. Actually the weirdest shit happened to allot of the people involved in the film. 

Much of the cast was unknown at the time, but are big stars today. Sam Bottoms, Lawrence Fisburne, Harrison Ford, Robert Duvall and Scott Glenn. The most bizarre casting was the Reverend Billy Graham's son, Bill Graham. Bill Jr. played a young Army officer whose presence on the set wasn't enough to keep the Devil in check. The experience with "Apocalypse Now" scared the preacher boy so much that he never acted again. Choosing to go home and live with his parents the rest of his life.

Copalla had a nervous breakdown during the film and sweated off 70 pounds. His wife had to help him finish the dark, obsessive work.

In the opening sequence , Martin Sheen (who played the GI sent to kill Col. Kurtz) gets wasted in his Saigon hotel room. This scene was shot by Copalla while Sheen was actually having a stroke. The sadistic director wouldn't cut to get Sheen to the hospital. 

Marlin Brando ( who was paid a huge sum of money to play Col. Kurtz) was "ODing" on food, booze and screwing  too many asian girls throughout the film. 

Dennis got to act out his nervous breakdown again, but this time it was on film. He was brilliant playing Colonel Kurtz's friend, a X green beret photo journalist. He would walk around Col.Kurtz's death camp, long hair, beard, Cambodian rice farmer's PJs and camera. Shaking like the Army epileptic he played on American TV circa 1960, telling anyone in ear range, using broken sentences. " He is a man…. a god, a genius, this is what the man (Kurtz) is about". Dennis did his part 88.5% ad libbed in a very raw emotional state, while wasted. 

Brando was totally out of control in this thing, like a huge Water Buffalo in heat. Marlin refused to take any direction what so ever. Copalla could have used a Hath Hathaway to break Brando's spirit here. As most people know this awesome film was a zillion dollars over budget. I would give Copalla's wife the credit here, the film poured into 300 cans, edited, unedited made it because of her. 

Dennis Hopper  was so prolific as a  actor and director, one would have to tell his story in books from A to Z His work and life is so powerful that trying to put it in a box is like gazing into the sun. By 1981 Dennis got really serious about AA and sobered up. He  has  stayed sober a long time, and gone on to do work with all the great people in the film industry, never losing his weird hipness. Recently Dennis Hopper has been diagnosed with prostate cancer and is in bed mostly at his home, hassling with his last wife. No one ever accused Dennis Hopper of not having "balls like a bull".

In closing I would like to explain how I write stories, because I don't want to confuse people who are interested in facts. This story was written in similar, but not the same fashion as Dennis Hopper's  film "Easy Rider". I take a time line or a bio and fill in the blanks writing flow of consciousness, expanding on  facts I have read in my life. So allot of the bullshit in this story is about my own addiction, nervous breakdowns and insanity. Of course, I am no Dennis Hopper, not even close. The man is on fire and this story, which was so hard to write, is only surface

What comes out is what you get. You might laugh at this story, it might scare you, or it might leave you cold. That has to do with who your are, not who I am. VB

My  hope is that the Great Spirit of Sierra Madre is folding Dennis Hopper in light and keeps him here with us until he is ready to go, as this is written by VB. 

DENNIS HOPPER DIED AT 74, TODAY MAY 30TH, 2010

5/15/10

FREE ROMAN POLANSKI




















 WILL THE LA COUNTY PROSECUTORS AND RIGHT WING AMERICAN SQUARES CHASE THE MENSCH TO HIS GRAVE? 


One can garner soft information from the carefully staged and propted baby picture of RP. Roman's tiny left hand is indifferent to the Teddy Bear on the Bauhaus white box (extraordinarily modern and avant garde for 1935). The look on young boychik's face, glitch, ready to nose dive, precociousness intact. Standing like a little man, spatially, a czar and Hollywood Caesar.

Writing about Roman Polanski is tough. He is not an average person, he will be remembered with the same revere as Beethoven or Tolstoy. He is a person who has risen above horrific conditions, He has suffered harassment from 40's Nazis, and in the present day, morality avengers of the Untied States local and federal government.

Boychik grew up surrounded by coven of yenta witches, in Krakow. His father (Rszyard Liebling) was a Marxist. The Liebling house was full of adoring aunts and extended family. He had a brief moment in the sunlight, until the Nazis marched into town.

Boychik's life changed fast in 1939 when the Nazis invaded Poland. He was like baby eagle, thrown from a loving nest on a magic mountain, into the depths of the Krakow ghetto. Ghetto police, SS, used Roman for target practice once, making him hold up chunks of rotting wood as Luger fodder.  

Roman was never in Auschwitz, but his mother (Bula) died there. His father survived the war in another concentration camp. RP's dad loved Roman like moon rays. One night Rszyard did a quick change act on the SS, smuggling 6 year old Roman out of the Krakow Ghetto into hiding with a  goy family of farmers in the Polish Forest. The spartan goys were freaked out by the glitzy street hustler of the Krakow ghetto. One night, with no regards for poor Roman's safety, the putzes gave him a few stale Kuklas, and threw him into the forest. Over the next few years, while other kids were in grammar school, RP was running from the Nazis, eating roots in an underworld tail spin and black haze of Gestapo and SS terrorism.

Aside: The author sincerely believes and states from his heart, that Roman Polanski running from the Nazis as a boy is enough. He should no longer have to run from Los Angeles County prosecutors. RP in his twilight years, should be allowed to live his life out in peace after what he has gone through. In modern day enlightened Europe at least they have enough sense to leave great artist alone.

At times Roman would hide in rural bush for days, sometimes hooking up with resistance fighters, carrying ammo and supplies for them on his back. Other times RP would go it alone, hiding behind velvet curtains in small theatres. It was in these country-side Polish movie houses, lying alone, hallucinating from hunger and neglect that RP began to put himself into a trance state to escape realty, while taking in Polish film through every nerve and pore. He connected through trance and self hypnotism to his future life and never looked back, knowing with vision and soul that he would survive the Nazis. 

Roman would project the x-ray images he received in the hiding places into screenplays and film. When the war was over RP began to live a more structured life, in a more secure world (gross understatement). Still terrorized by dreams of his past. 

Roman knew right away that he wanted to make films and by 1954, still living in Poland he was accepted in the Lodz Film School.  He began making films with a small hand held camera. Simple, spartan, black and white images of lust, hate and physical torture played out in a circularly plots, at times doled out with paucity. 

Roman's boyhood with the SS made him one tough and mildly sadistic cookie. Visualise the scene in 'Chinatown' where he slits JJ Gillie's nose with a stiletto, very convincingly. There was a weird realty in the bit, and you can see Nicholson was freaked out for real, Roman would always go for real terror if he could get it from his actors. His first film circa 1953 'Rozbijemy Zabawe' (Bust Up the Dance) was part art happening and pre-reality show of sorts. RP paid the local Krakow mafia to come in and bust up a Lodz dance and filmed it. Roman was inventing dark, absurdest cinema and shaking off SS violence. 

By 1958 Roman split Poland for the Left Bank of Paris. He started making independent films. As always walking on the dark side, Rogue Morgue Avenue blue velvet and rusted iron. While in Paris he did allot of  short film work, One stand out  was 'La Gros et el Maigre', a tough love affair. The short film garnered international attention and won awards. Film Noir was prevalent during Roman's period in Paris. But Roman Polanski's dark cinema of the absurd was original, he was no Goddard copy cat.

Romans first feature length film was released in 1962 "A Knife in The Water" a simple, three act and out psycho- drama about a couple who invite a hitchhiker to go sailing and mentally abuse him for kicks. Roman would do screenplay work as well as direct here, a trend he would follow through his film career. RPs first hand knowledge and experience of sadism at the hands of the SS, drove him to strive for dark realism and true to form terror on the set. At one point during filming "A Knife in the Water" he pulled a Lugar of his pocket and fired it into the air. Roman then picked up a bullwhip and started cracking it, like a circus master, creating a mood of stark reality. He received a "Best Foreign Language Film" nomination at the Oscars for "A Knife in The Water". Evidence of how talented young Roman was. The attention RP garnered began to feed his image as a infant terrible and hellion.

Bored with Paris, RP moved to 'glitz capital' USA, Hollywood in 1965. He experimented in the B movie genre of horror-film schlock, and ganja vision. "Dance of The Vampires", a Polanski experiment stared Sharon Tate. The two opposites met and fell in love. She was gentle, peaceful, self aware and easy going. Qualities that soothed and nurtured Romans dark side and fear driven nature.

Roman Polanski was and is a very hardworking filmmaker, leaving little to chance, but never closing the door on spontaneous psycho drama. RP made two films in the United States of significance, "Rosemary's Baby" and "Chinatown". "Chinatown" is held up as a kind of "filmmakers' film" and "sacred cow" like "Citizen Kane". You can't argue its beatitude in film history, but it always puts FL to sleep. "Rosemary's Baby" is RPs greatest film. A great expression of New York City urban sophistication, stylishness, and the most realistic interpretation of a witches coven imaginable. Roman set the standard for devil films with "Rosemary's Baby". For Christ sack, he lived through true world hell at the hands of the Nazi devils. His choice of Mia Farrow and John Cassevetes (a genius director in his own right), for the lead roles was magnificent.  

By the late 60s, Roman and Sharon Tate were "jet setters" rich artist couriers, harbingers of fashion, beautiful people. These labels and the lifestyle are outdated for the most part today. The couple was part of a very select group of Hollywood A list hippies. People like the hair stylist Jay Sebring (who gave Steve McQueen his great Caesar style cuts), Jack Nicholson, Marlin Brando, Harry Dean Stanton, Michelle Phillips, Dennis Hopper. On the low end of the late 60s LA hippie chain was the bum and pussy, Charlie Manson. Charlie's Drano sucking coven broke into Roman's house while he was away. Susan Atkins, Tex, Linda all dumb fucked, burned out minds bent on hypno voodoo 666, cut up Sharon Tate with a buck knife on an evil lark, high and blind. Appalling, even more so because Sharon was pregnant. Sharon Tate was a nice person who loved everyone, not a snob. FL thinks? If there is God? For fuck sack, there just couldn't be, but? What type of twisted karma? God as the planet fucker lets good people attract evil dope devils and violent unwarranted death. Consider also, that Sharon's baby never saw the light of day. Buddhist monks would say that Roman's unborn baby had good karma not to face what Roman had to face at the hands of the SS and Gestapo. The monks would also say that Sharon and Romans angel baby will be lucky to miss out on the  horrific extremes that we the living will face in the twenty-first century.

Aside: In the deepest part of my silent inner green forest, sometimes I wonder why anyone would bring a child into this out of control planet?  Baby's as gold charms? Selfish emotional needs?. The planet Earth is like a runaway CARBON-BANK TRAIN that is taking the planet down while spewing a few cheap tricks for the rich, schmucks like the Getty family, oil and sultan monsters. I don't hate the rich, there are some green rich, and very good hearted rich. But the modus that perpetuates carbon depedence, just another buck to be made on oil at the Merch, is what will do us all in.

Of course Roman was shattered by the brutal, unfounded and sadistic executions. The murder tragedy broke Roman's "green twig". RP's life without his mother, friend, lover and muse, Sharon Tate would gravitate into a series of "acts of denial". Roman found himself unable to deal with the bile in his heart. Like many, he turned to partying, the escape of excess. Fame, beauty, talent and jet set lifestyle gave him access to the best coca, booze, women, scenes, exotic locations available.

(Circa 1974, after the release of "Chinatown")

One such exotic location, A list fun house of sorts was Jack Nicholson's house on Mulholland Dr.… A modest enough bachelor pad, coca villa and peace palace that shared a circular drive way with a similar style house owned my Marlin Brando. When it came to sexual bravado and overall freakishness, Brando the wing nut gladiator had a most peculiar outlook.

But let's get back to the Jack man's pad. Brando preferred to fuck and dope up alone, but Jack man enjoyed having  pals around. With a mind like a squirrel, the Jack man would always keep separate stashes of booze, coca and weed. The B and D grade stashes were for women, screenwriters, critics, Mexican gardeners and cops. A grade stash was for women he wanted to fuck and close pals like Art Garfunkel, Roman Polanski and Lou Adler.

Jack man's house was an ongoing party house for the select that were allowed past security at the front gate. Roman had open invitation to Jack man's house and was welcome at any of the "hip" Hollywood party houses of the Aquarius era. Roman was using on a daily basis, still trying to lock out his pain. RP got a call from Jack man one afternoon, Roman was sitting in the bar of the Beverly Wilshire Hotel. Jack told him that an aspiring actress wanted to audition for him and would like to meet Roman at Jack man's house that night. Roman was half in the bag by the afternoon already. Jack man was going to New York that evening so Polanski could have the fuck nest on Mulholland Dr. to himself for the budding stars audition.

Aside: The Jack man had no ideal what was going on and was duped by (Vickys) mother as was Roman. In no way  does  FL's story allude to any guilt or wrong doing on the part of Jack man Nicholson.

Roman went straight from the Beverly Wilshire Hotel to Jack man's coca lounge. Roman was on a bender and wasn't eating. Once comfortably settled into the palace RP garnered all the A grade  stash and opened a bottle of Hennessy Cognac. RP was laying on the living room floor, strung out, when the guest bell rang at the front gate. Roman looked out the window and noticed an older women in a Cadillac dropping off a young women at the gate. She was allowed into the yard by security, Roman met her at the front door. 

Let's call her Vicky. Vicky was a very mature 14 year old who looked 20 years old. Her mother, the beard, was a grifter and set the hook using Vicky as squid. Vicky was no virgin, she had been pimped since she was 12 to feed mamas heroin habit. Vicky and Roman smoked some weed and drank cognac. Roman was in a blue haze, after very little conversation he invited her to the hot tub in Jack man's back yard. There was no talk of audition or future film projects. More over, there was a jaded romp, coca on the genitals, oral sex and a fuck in the tub. Roman was so loaded he didn't know if Vicky was 60 or 14. After a hot shower and a couple of shots of Russian Vodka, Vicky called her mom to pick her up. Roman gave her $1500 for the romp. 

This is not a case of pedophilia, Vicky's  mother was a fucking vulture and Roman was duped. Later Vicky's mother received a further settlement from Roman which went up her arm. Vicky has exonerated Roman years ago and just wants to live a normal life, after being raised by a demon.

When word got out that Vicky was only 14, the LA County prosecutor indicted Roman for having sex with a minor. 

During the years of the Reagan Governorship, there was a movement by Orange County conservatives, Walt Disney  Gene Audry and John Birch to bust Hollywood's A list hippies. The heat was put on LA Vice and Narco squads to bust the "hippy" movie stars. Roman knowing the right wing Reagan and John Birch squares would throw the book at him as example, skipped bail and split for Europe. Roman is a unique personality in that his time spent in the Krakow Ghetto, sadistically persecuted by the SS and Gestapo left him with a phobic mania and deep fear of being locked up. 

Once settled in France, a country that has more understanding about the nature of sex and love as it is, not as is written in law books. Roman continued to direct. 

Aside: Two films which are standouts "Tess" a adaption of a Thomas Hardy novel, staring Roman's new girl friend,  Natasha "Hot Lips" Kinski, was a lovely romp with the feel of "love in the potato patch on the Tolstoy commune". The second film worth mentioning is "The Pianist" autobiographical, a Jew running from the Nazis in World War II. This was Adrian Brody's break out film and Roman captures the freakishness and fear of being on the run from the Gestapo immaculately. 

In closing, a breif defence of Roman Polanski by Marshal Dillon and Chester. Let's make two lists, split a page in half and on the first slice write the names of all who have enjoyed and benefited from the art of this gifted human being Roman Polanski. And on the second slice, list the names of those two or three who might have suffered from Roman's misguided lust, which is iffy at best. Now, list the names of all those who want to put Roman Polanski in the Puritan's Pit. 

Do the addition or subtraction and take the liberty to judge for yourself and ask yourself the question "Does Roman really deserve to be judged by a rat fink, like Michael Douglas, whose jack ass self preceeds him? Or other Putitans?